Mx. Allison C Boyd as Kirstjen’s on-campus default: her hard pretty thirty-something default, plus thick-readers, and strapping butch, with a stilted walk and having an MTG 24×7 “bleach-blonde, bad-built, butch body” moment; relieved of her “unwanted”, relieving her of the burden of her beauty.
This “compromise” results in a hard stern dowdy Kirstjen, a schoolmarm as dominatrix, who is not pretty. The disfiguring eyeglasses, by their lonesome, make “pretty” a bridge too far. She’s rendered ugly and plain? Yes, emphatically. Some of the affectations that apply? Bitter spinster, sexually repressed, sexually frustrated, mean, loathsome, disdainful, RBF, frumpy, stern, severe dowdy, fugly, plain, petty, spiteful, abusive. In a word: harsh. She does not look older or well-used, thus, creepy and thirty-something does not give way to creepy and fifty-something, not that it matters much. Wretched is still wretched.
Kirstjen. Drowning in the bleach-blonde homeliness of horseface Georgia Republican Ms. Marjorie Taylor Greene (MTG); “a bleach blonde with a badass showgirl body”, walking stilted, strapping Piranhas and Parts, and having an MTG 24×7 “bleach-blonde, bad-built, butch body” moment. YUCK!!!
With the advent of this Mx. Allison Boyd on-campus, Kirstjen ceases to be one of the faculty members most fantasized about by the student body and by other faculty members.
Officially, plaintive makeup and geriatric blonde hair are off the table, for this Kirstjen channeling Mx. Allison Boyd channeling Alice Quinn channeling Mx. Alice Quinn channeling a bespectacled Elvira channeling Mx. Elvira channeling Mildred Huff channeling Mx. Mildred Huff channeling the patent lunacy of a Harpy by way of a Witch. OUCH!!!
Inarguably, adding plaintive makeup and geriatric blonde hair to this Mx. Allison Boyd, would wreck her ravaged looks appreciably more. Ravaged looks without them, worst looks with them: ugly and plain, without them; uglier and plainer, with them. Also. She’d look much older and well-used; thirty-something given way to fifty-something. Cougar, MILF, well-past-her-prime-bimbo. And. Hers becomes a woman’s deep, raspy, borderline masculine voice: mangled vocally, in spades. Resulting in a Mx. Allison Boyd, whose imprint is borderline bulldyke.
For these very sordid reasons, plaintive makeup and geriatric blonde hair are added automatically whenever Kirstjen’s assigned duties relegate her to the shop’s cellar doing work.
Auntie is in negotiation with the school’s administration such that Thinner, plaintive makeup, and geriatric blonde hair are added automatically to this Mx. Alice Quinn whenever Kirstjen enters the shop whether she’s working there or not. Removing the school’s “cellar only” on-duty requirement.
To reiterate. This Mx. Allison Boyd sounds manly with her husky voice: The staff at The White House wants her to quit using the men’s bathroom.
On campus or off, Kirstjen has never been everybody’s fantasy, but, her hard pretty thirty-something default has ALWAYS been at/near the top of most “most wanted” lists. She’s “The Body”.
As expected, Judi, Kirstjen’s husband, has no objection whatsoever to Kirstjen doing any flavor of this Mx. Allison Boyd as long as she gets Kirstjen’s pure unadulterated hard pretty thirty-something default.
This Mx. Allison Boyd, with those shot looks of hers. No normie would give her a first look, let alone a second one. Thus, she can “hide in plain sight”. But. For example. To the discerning porn hound or the hardcore sex freak, she still has a big ugly mouth that’s “built for the oral pervy”, a long facile well-educated tongue that’s “too legit to quit”, and, from the neck down, a killer body that’s “built for fucking”. Julia Roberts meets Linda Lovelace meets a prime Angie Everhart meets Jeri Ryan. She’s still “The Body”.
In the immortal words of John Birks “Dizzy” Gillespie, “A pretty girl can do anything. But. An ugly girl…she has to do everything.”
Postscript. Lately. Whenever her assigned duties have her in the shop’s cellar doing work. Kirstjen is shackled, including the wearing of a leashed dog collar. The shackles are fitted on her by “busy” groping invisible hands. And. A ball-gag is fitted in her mouth by “busy” groping invisible hands too. And. She’s “strapping bone”. Lunacy personified. Kirstjen’s addiction to insanity.
Kirstjen is a junkie, a hardcore junkie, an addict hopelessly addicted to worshipping at the altar of addiction’s primal trifecta of madness, depravity, and ugliness.
An addiction that is ALWAYS by her choice. So. Is it really an addiction?
Strapping bone? BDSM slang. A bone-muzzle made from a severed hand and/or a bone-bra made from a pair of severed hands and/or a bone-plug a butt-pussy plug where the multiple oversized fingers of a severed hand insert themselves into the wearer’s anus and vagina. Large “dry” skeletal severed hands, “no flesh whatsoever on the bones”, that are somehow animate and parasitic, and they are as abusive as a hand-bra or Piranhas. Because of their inherent cruelty, these “dry bone” straps are also known as a “madwoman’s/madman’s restraint”!
At “her” core, Kirstjen as this Mx. Allison Boyd is the blank Kirstjen “presenting” as Hannah Waddingham did as the “shame nun” Septa Unella in Game of Thrones. A Hannah Waddingham fiercely channeling Mx. Mildred Huff.
Underneath the covers, where it really counts, there is NO meaningful difference between the personality of the “real” Kirstjen and that of the “shame nun” Kirstjen. In essence, Kirstjen’s shame-nun is just an uber robotic version of the sadomasochistic swinger that Kirstjen is.
Kirstjen willingly and willfully, without the agency or coercion of a Crueler or Auntie, turns herself into a flesh-n-blood robot slave/enslaver in the same way that the Crueler and Auntie already have; craving the transition, in spades!