I wanna go Psycho with Elvira!
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Morgan le Fay is a Marvel Comics supervillainess. She debuted in the Marvel Cinematic Universe, in the third season of Runaways, as the main antagonist, and is portrayed by Elizabeth Hurley.
This time, when Kirstjen enters the house, she remains more-or-less herself.
Kirstjen’s personality, voice, mannerism, etc. It’s her personality unfiltered, of course.
Stone-faced, except when she’s flashing that maniacal Joker’s smile of hers. A toothy grin that makes her look like she’s completely unhinged.
Dour, stern, humorless, and severe. Relentlessly severe, stern, or gloomy in manner or appearance. A hard, dour, humorless fanatic.
A face that says: “I got too much Botox and I need help.” and “My face hurts to smile, to even try.” and “I messed up. Look, this big ass Joker’s smile is the only smile I got anymore.”
No eyeglasses, whatsoever. How she craves wearing those disfiguring eyeglasses which would relieve her of the burden of her beauty.
No WGS, whatsoever. But. Self-loathing for being a beautiful woman.
A thirty-something who is just as harsh and creepy and haughty as that seventy-something. The seventy-something whose only use for beautiful women is to loathe them; that includes the thirty-something who is a beautiful woman herself. Hence, the self-loathing for being a youthful and ravishing beauty, and the OCD to outwardly present as the fugly age-ravaged seventy-something.
She walks stilted, as if she’s a loathsome old biddy having an MTG “bleach-blonde, bad-built, butch body” moment. Because. She is a loathsome old biddy having a BBBBBB moment.
That loathsome anonymous sexualized old biddy—the petty vindictive one, wallowing in disdain—who lies beneath her thirty-something veneer. Undercover, so to speak.
Pure, unadulterated Barbara I Dream of Jeannie Eden’s Stella Johnson—inarguably, the quintessential blueprint for the preeminent female face of WWF’s Attitude Era, Miss Debra and her Puppies!
The house is in ruins and unoccupied, and appears to have been so for quite some time. The house itself is dead too. None of which makes any sense, whatsoever.
But. Kirstjen is not lesser. Therefore, she’s not so easily subdued or deceived.
Although Kirstjen cannot “sense” their presence. Is this the doing of the invisible hands that have consumed everything within, and, if so, why have they not consumed her too?
Or. Maybe, the invisible hands have been consumed too, and, if so, by whom?
Or. Maybe, this is Kirstjen’s doing in the aftermath of a nervous breakdown she no longer remembers, i.e., Doctor Claire with Kirstjen’s unthrottled personality gone bonkers?
Or. Maybe, having been repeatedly exposed to the proclivities of a genocidal Kirstjen via numerous iterations of her other selves; the house’s occupants, including the invisible hands and the house’s life force, have decided to vacate to parts unknown for the sake of their continued existence?
So many questions, and no answers.
All the while that seventy-something threatens to present herself having gnawed her way out. It’s a matter of when, not if.