Animalistic. Niffin prefer their food fresh. This is why they prefer to consume their food while said food is still alive. The same, of course, can be said of Noom.
Cannibalistic. Niffin prefer to eat people. The same, of course, can be said of Noom.
Niffin are Godlike when they’re unfiltered. The same, of course, can be said of Noom.
Niffin, by their nature, defer to Gods. The same cannot be said of Noom.
Niffin and Noom are two faces of the same coin, so to speak.
Terrifying: Just imagine if Niffin were Gods; they would be Gods without rules.
Mx. Handcock walks into the lobby of the Oz, the LGBTQIA flophouse where they live. This flop mirrors the now-demolished flop of the deceased Mx. Wiig. Except that the people here are real and there is no basement playroom.
In Mx. Handcock’s room. In place of a bed. Is what used to be Mx. Wiig’s hybridized MTR. It’s now Mx. Handcock’s hybridized MTR. A rack that gets a lot of use by mean ugly nasty Mx. Handcock.
Mx. Mxyzptlk has been keeping Mx. Handcock so busy, of late, that Mx. Handcock hasn’t been Ms. Nielsen in a coon’s age.
Brakebills lists Ms. Kirstjen Michele Nielsen as being on open-ended sabbatical. Another instructor, transient Professor Klipsch “KK” Kltpzyxm, has been hired to replace her. KK is a freelancer, one of the five best freelance research librarians in Creation.
Dame Judi Dench and Ms. Kirstjen Michele Nielsen are legally separated.
Although Mx. Handcock does use prostitutes. Masturbation and the rack are their mainline sexual releases.
Professor Klipsch Kltpzyxm?
That wretched plaintive makeup heavily-applied to face, neck, and cleavage. Pasty-white complexion. Blonde crane. Perls. Prudz. A stodgy Kaye Maxfield business suit. No blouse. Flats. Barelegged. Lacy white underwire torpedo bra, and no panties. Thick-readers. Piranhas and Parts, underneath her suit’s chaste skirt. Manicure and pedicure.
A Harpy. Seventy-something. Abusive. Controlling. A very stern bitch. Very mean. Petty. Vindictive. Envious. Foul tempered. Harsh. Hard face. The saving grace of a huge chest and pancake ass. A dispassionate sadist. A shrew personified. An alpha dyke. Evil incarnate.
An apex bulldyke. In other words, a very butch, very abusive, very controlling, older lesbian with a masculine appearance. A TAD (typical alpha dyke), who is dressed TADO (typical alpha dyke outfit). Ergo, a “Ted.”
An eccentric, Professor Klipsch Kltpzyxm’s Kaye Maxfield looks the worse for wear as if it belongs on a baglady. For example, ripped seams, the sleeves of the suitcoat are torn into strips up to the elbows, and long “tendrils” extending from the frayed hemline of the skirt. In a word: Bohemian-Macabre.
At Brakebills. Klipsch is not filthy, smelly, or infested. She’s particular in that peculiar sort of way. In other words: Clean, but not pristine. Her features have been carefully adjusted to maintain her guise as such. This is the bold-faced Bohemian-Macabre lie she presents, of course.
KK is a macabre slice of LGBTQIA womanhood. She strongly resembles the unnamed fugly older sister of horror actress Maila Nurmi’s Vampira Queen of the Ghouls character circa 1950s.
Formerly. In a past life, so to speak. She was Kathleen Kennedy, film producer and president of Lucasfilm.
Masculine in ways and means. Dominatrix. Butch. A woman’s deep, borderline masculine, voice. As if she’s in latter-transition. Neo-Prussian accent with faintest traces of the arcane. KK can be very off-putting to normies. But. She’s Mx. Handcock’s type. She’s Ms. Nielsen’s type. too.