Agatha All Along: Revenge is a witch. It’s life or death, and not everyone survives.
Deuteronomy 32:35: Vengeance is Mine, and recompense. Their foot shall slip in due time. For the day of their calamity is at hand. And the things to come hasten upon them.
Kirstjen: It’s not personal, it’s just business. And. Even when it is personal, it’s still just business.
Ultimately, this is about the Shadows that follow Kirstjen, shadows that threaten to consume her, and horrific crimes committed allegedly by her that make the flesh crawl of many an Entity. Begging the question: “Should Kirstjen, a two-legged flesh-n-blood WMD, a so-called ‘dirty trickster,’ be banned from existence forever more?!”
Agatha, a tedious Entity dressed like a tedious Entity, is discrete in following the girl. A Hedgehog straps her nethers and Piranhas strap her thighs—i.e., fully-spiked and strapping butch.
Her clear intent is to make the girl suffer before expiring. But. As in the case of her deceased sister, she’s foolish in her denial of the fact that, her own perverse desires and cravings are also very much part of the mix.
In other words, just like in the case of her deceased sister, the possession and subsequent abuse of Kirstjen “tugs” at Agatha’s heartstrings. A longing twisted by OCD into something quite dark and sinister.
Of course, in fugly Agatha’s sick imaginings, Kirstjen is not pretty and is a fluid genderqueer-in-drag hard Mx. Behar.
Also, perversely and conversely, the obvious. Any suffering that Agatha inflicts on Kirstjen, Kirstjen will enjoy. Which defeats the whole purpose of the girl’s punishment. And. Kirstjen will enjoy being robbed of prettiness by Agatha. Which defeats the whole purpose of the girl’s disfigurement.
Mx. Behar caveats?
Ugly and, to a normie, off-putting; borderline grotesque. Ugly-obsessed. Ugly-minded. Drowning in WGS. Mannish. Masculine. Butch. Spinsterish. Not bangable, by normie standards. Etc.
Strapping butch underneath her suit’s miniskirt. Shoving the disciplinarian ever harder into Mildred Huff. Legit sexual deviancy, that’s dope, by BDSM standards.
Misogyny. Misandry. Consumed by hate, unredeemable. Etc.
Projectile breasts thanks to the girl’s white lacy bazooka bra. Ripe melons bulging in the bullet bra’s underwire cups.
The latex-clad chastity of skin-colored rubber panties.
A hard, fluid Barbara I Dream of Jeannie Eden’s Stella Johnson channeling Elvira, Mistress of the Dark, making Netflix home for Spooky Season, channeling The Magicians’ Alice Quinn shoved into a Mildred Huff–i.e., a dominatrix who showcases the bleach-blonde homeliness of horseface Georgia Republican Ms. Marjorie Taylor Greene (MTG); “a bleach blonde with a badass showgirl body,” walks stilted, strapping Piranhas and Parts, and having an MTG “bleach-blonde, bad-built, butch body” moment.
Cilice-obsessed.
Envious of attractive women; she craves the punishment of pretty women for the “crime” of being pretty, with the preferred punishments being WGS, cilice, flogging, disfigurement, and gender-bending, all of which are self-inflicted (i.e., punishments inflicted by the pretty woman upon the pretty woman).
Bottomline. Big breasts and well-craved legs-for-days bursting out of a skimpy outfit with an impossibly tiny waist.
The in-between?
Depraved. Degenerate. A swinger. A shipper. Additionally. A flipper. Flip-flops, for example: between hard pretty face and fugly, between not being cilice-obsessed and being cilice-obsessed, between not fluid and fluid, between dominatrix and submissive, between meat and metal, between female-only and she-male and transgender.