“Touch darkness and darkness touches you” is the tagline for season one of the HBO crime drama series True Detective. The season follows two Louisiana State Police detectives, Martin Hart (Woody Harrelson) and Rustin “Rust” Cohle (Matthew McConaughey), as they search for a serial killer.
When they get off the bus, Old Woman and Allison part company. Each going their own way. As such, Allison onlines her features. She reverts to clean and pristine. The girl is fierce on the prowl for someone else to pounce.
As if on cue. A Crone-Ogre (Crog), specifically a “female” Crone-Ogre (a Crone-Ogress). Andrew Crabtree walks into view. Andy, a god, is trans. Looking like a more masculine, and therefore scarier looking, version of Auntie, with a moe in place of a jeannie, and yellow blonde hair color. Andy has masculine ways and means. Underneath “his” skirt, he’s strapping butch.
In spite of having a woman’s well-endowed body with huge tits, and having a woman’s deep, raspy, borderline masculine voice that’s mangled vocally in spades. And, in spite of dressing like a woman: he’s dressed just like Auntie. From his POV, he sees himself as fully transitioned into a male.
To reiterate. He sounds manly with his husky voice: And, for reasons most obvious, the staff at The White House wants him to quit using the men’s bathroom.
He sternly walks up to Allison.
“How much?”
“I’m not a hooker. I do swing, though. Have a go?”
Andy’s eyes glow red, which is the extent of his Lovecraftian. Allison blackouts. He prefers “abducting” her, and having sex with an unconscious her, (Bill Cosby style?). Having no interest whatsoever in consensual sex.
Allison comes to herself standing rigidly in the parlor of an old musty-smelling house. The front of her skirt is bugling from her prolonged erection. Her jacket is unbuttoned. Andy’s mouth is affixed to her neck; he’s feeding while groping her chest. The front of his skirt is bugling from his prolonged erection. His jacket is unbuttoned too.
Andy prefers her Thinner which he will achieve by feeding on her. That’s the only change he intends to make, for now, to her favorite version of herself. Then. Out of the blue. He changes his mind, deciding that Thin is so much better. So. He continues to feed, but she doesn’t go Thinner, and remains Thin.
Sensing that Allison is again conscious, Andy’s eyes glow again. Allison blackouts again. It’s as if she’s a robot, a drone, in idle mode, i.e., she’s unconscious. Later, he will plug her into a Borg drone alcove to be continuously indoctrinated (brainwashed) to his needs. An alcove he has heavily modified, crossfitting it with a Borg queen’s central alcove.
This CrossFit alcove will rip off her limbs and rip out her CNS (central nervous system, brain and spinal cord). As long as the brain and spinal cord remain connected during the agonizing process of disassembly, she’ll die but she’ll subsequently resurrect during reassembly. CNS, limbs, torso—her constituent “parts”—will be stored in their designated alcove “compartments” in the exact same manner that a Borg queen’s constituent “parts” are stored after disassembly. The reassembly process is also identical to that of a Borg queen’s.
He prefers her as this “robot” Allison, and sees this “robot” as his promiscuous girlfriend. And. He’s insanely possessive.
He’s so imaginative, that he almost lasts the weekend. Shades of Jennifer Love Hewitt blasts Hollywood for sexualizing her as Natalie Winters the porn teacher.