There’s an “issue” with Mx. Huff’s resurrection.
A resolution might be Ms. Kirstjen Michele Nielsen doing away with Mx. Mildred Elizabeth Huff, just because.
Instead, as Mx. Debra, Kirstjen shares nutter Mx. Huff’s psychosis.
Kirstjen’s default is a loathsome, very hard, very fluid, very harsh Barbara I Dream of Jeannie Eden’s Stella Johnson channeling Halloween Queen Elvira, channeling The Magicians’ Alice Quinn shoved into a Mildred Huff, i.e., a dominatrix-submissive femdom fetish doll who rigidly espouses the bleach-blonde homeliness of horseface Georgia Republican Ms. Marjorie Taylor Greene (MTG) without directly expressing any of it; “a bleach blonde with a badass showgirl body,” walking stilted, as if she’s butch, strapping Piranhas and Parts, and having an MTG “bleach-blonde, bad-built, butch body” moment.
The quintessential dominatrix. Unfettered hatred. Strident. Severe. Stiff-backed. Astringent personified. One of those resting frown-face chicks aka resting bitch face girls.
Stone-faced, when she’s not flashing that maniacal Joker’s smile of hers. A toothy grin that makes her look like she’s completely unhinged.
Dour, stern, humorless, and severe. Relentlessly severe, stern, or gloomy in manner or appearance. A hard, dour, humorless fanatic.
A face that says: “I got too much Botox and I need help.” and “My face hurts to smile, to even try.” and “I messed up. Look, this big ass Joker’s smile is the only smile I got anymore.”
Very hard. A hardness, that has overtaken her prettiness, which bespeaks of a dominatrix’s loathing and disdain a loathing and disdain born of depravity and madness. Very fluid. Yet. Not strapping Parts. Harsh. Yet. Not strapping Piranhas, either. Walks stilted. A walking orgasm. That quintessential MTG “bleach-blonde, bad-built, butch body” moment. All-in-all, loathsome and highly sexualized to the point of objectification sexual objectification, i.e., a sex object a fetish doll a dominatrix.
Her preference for being addressed as “Mx.” means that although she’s not strapping Parts, she’s fluid nonetheless. The only time when she doesn’t insist on being addressed as Mx. and when she doesn’t walk stilted, is when required, e.g., she’s in the presence of the God her husband Dame Judi Dench.
Therefore. She’s Mx. Debra outside of Mx. Huff’s house, except when the situation demands it. And. She’s ONLY Mx. Debra inside of Mx. Huff’s house.
Preferred pronouns are “they/them/theirs,” although she will answer to “she/her/hers.” She’s quite flexible.
It’s not that unusual for people who are nonbinary, gender nonconforming, or gender expansive, to also use “she/her/hers” pronouns, from time to time. For example, someone whose gender identity is fluid may use “she/her” pronouns at some times, but not others.
In effect. Mx. Debra is a “real” person and Kirstjen is Mx. Debra’s delusion. The Unnatural Cravings of Dr. Sadism (1967), comes to mind.