Bell, Book, and Candle: S1 E17: The Electric Viking, run by the Australian enthusiast Sam Evans

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Starring Kirstjen Michele Nielsen (Olivia Taylor Dudley), the Alice Quinn of SyFy Channel’s The Magicians.

Fred regains consciousness. He is still restrained by the rapist. But he’s no longer being tortured. Because he doesn’t captivate Claire’s interest anymore.

He notices that Claire’s old-fogey yellow-blonde jeannie has been replaced by an old-fogey yellow-blonde crane. Shoving the disciplinarian ever harder into Mildred Huff.

To resemble a middle-aged uninked version of Kotaku’s Alyssa Mercante (Frosk 2.0). That MILF Sex Doll—Mother I’d Like To Fuck In Silicone!

Resulting in a spinster alias for, and built on top of, Barbara Eden’s Stella Johnson. Spinsterish as in sporting a crane in place of a jeannie.

Sex worker and “educator” portraying a MILF spinster on OnlyFans. Which used to be Alyssa Mercante’s schtick before her current Kotaku gig.

Thick-readers. Plaintive make-up. Hard. Mean. Nasty.

Clean and pristine. Gloved—prudz. Wearing a miniskirted business suit—WASP.

Speaking more to herself than anyone else, about the minutia of every knife stroke. Claire is busy dissecting a teenage runaway named Julie.

Claire’s gravelly voice. A mannish voice. A woman’s deep, borderline masculine, voice. A thick Prussian accent. Gender-bent. A very creepy voice, with palpable overtones of rage.  

Julie used to be very attractive before Claire started cutting her up. Disfiguring her. Invisible hands are assisting Claire with the dissection.

Julie was abducted and brought to the house, two days ago. Fred had dibs on rending Julie, but hadn’t gotten around to doing her. Looks like Claire has beaten him to it.

No pretense. No attempt whatsoever at disguising torture as “treatment.” This is wholesale butchery. The handiwork of a maniac in high-heels.

Julie. Gutted. Sliced open down the front from stem-to-stern with a Liston knife, and still being alive, bespeaks of “a near extinction-level event.”

She’s stretched out on a tricked-out sentient MTR that’s additionally been hybridized. Driven crazy by the unbearable pain being inflicted upon her by Claire and the invisible hands. Shrieks are the symphony coming out of her mouth.

There’s other sadomasochistic handiwork evidenced down here. Of the living, besides Fred, those victims’ shrieks adding to the cacophony. Of the dead, gruesome silence.

Go woke, go broke. But. Irrespective of that. Claire doubles down on depraved, degenerate, and dominatrix.

Sooner than later. As Claire, she will only remember herself as a MILF spinster, a “cougar,” a MILF Sex Doll who’s ALWAYS on the prowl for “cubs.” A demented sadomasochistic Kruger who prefers to fuck much younger women; fucking that always involves sex and violence. For whom consensual sex is indistinguishable from rape. Featuring torture as sex, as centerpiece.

Ugly and, to a normie, off-putting; borderline grotesque. Ugly-obsessed. Ugly-minded. Drowning in WGS. Mannish. Masculine. Butch. Spinsterish. Not bangable, by normie standards. Etc.

Strapping butch underneath her suit’s miniskirt. Shoving the disciplinarian ever harder into Mildred Huff. Legit sexual deviancy, that’s dope, by BDSM standards.

Misogyny. Misandry. Consumed by hate, unredeemable. Etc.

Projectile breasts thanks to the girl’s white lacy bazooka bra. Ripe melons bulging in the bullet bra’s underwire cups.

The latex-clad chastity of skin-colored rubber panties.

A hard, fluid Barbara I Dream of Jeannie Eden’s Stella Johnson channeling Elvira, Mistress of the Dark, making Netflix home for Spooky Season, channeling The Magicians’ Alice Quinn shoved into a Mildred Huff–i.e., a dominatrix who showcases the bleach-blonde homeliness of horseface Georgia Republican Ms. Marjorie Taylor Greene (MTG); “a bleach blonde with a badass showgirl body,” walks stilted, strapping Piranhas and Parts, and having an MTG “bleach-blonde, bad-built, butch body” moment.

Bottomline. Big breasts and well-craved legs-for-days bursting out of a skimpy outfit with an impossibly tiny waist.

From the neck down. Meeting normie, BDSM, and LGBTQIA, gold standards of the male, female, etc., gaze “in which your significance is reduced to your role as a sex object.”

Dominatrix: a woman who physically or psychologically dominates her partner in a sadomasochistic (BDSM) encounter. Broadly: a dominating woman.

Dominatrix: typically a paid professional (pro-domme) as the term dominatrix is little-used within the non-professional BDSM scene.

Dominatrix: a woman who plays the dominant role in a BDSM sexual encounter or relationship, often in a paid or professional capacity.

Dominatrix: a professional (pro-domme) dominating woman, who is unironically evil.

In summation. Professional dominatrixes (or pro-dommes) are women, educated in BDSM techniques, who willfully and willingly choose darkness and evil. 

This dominatrix: Serving up evil villainous romance, Drag Queen Debra and her Puppies! channeling Miss Debra and her Puppies! via RuPaul’s New Memoir, “The House of Hidden Meanings.”

This dominatrix: a fugly version of strapping butch, Nordic beauty, Mistress Gen of Genitorturers channeling “Eric Stanton: Bondage Enthusiasts Bound in Leather” taken to the extreme.

The red flags continue to mount, and Linda continues to ignore them.